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Monday, September 15, 2008
Manly by Dale Lazarov and Amy Colburn
It's frustratingly difficult to find good, gay themed erotic comics. Oh, sure, there's a seemingly endless flood of yaoi titles on the racks, if you like your men adolescent and wispy and strictly conforming to heteronormative gender roles. There are some good European comics, but one of the few outstanding American contributions to the genre was Dale Lazarov's and Steve MacIsaac's Sticky. And so I was really pleased to find that Lazarov has a new work, due out in early November from Bruno Gmunder, Manly, a new collection of word-less short stories with collaborator Amy Colburn on art.
The challenge with word-less comics, primarily, is that the art must be especially expressive, to convey both emotion and plot clearly. Colburn's art is very expressive, with clear, nicely laid out pages that allow the story to flow smoothly. I'm particularly taken with her faces. She is very deft at portraying, in particular, lust and embarrassment in a way that makes the characters very relatable and recognizable. It's also very appealing that the character and body types are extremely varied throughout the work. This is typically my number one complaint about gay porn comics; that everyone looks the same. That is certainly not the case here, with a physically and ethnically diverse cast that seems certain to include at least one character that appeals to a reader with a specific "type" to look for in their porn comics.
The pairing of Colburn's art with Lazarov's stories is particularly successful. Lazarov displays a knack here for creating situations with strong erotic potential that nonetheless manage to resolve in a manner displaying a sly sense of humor. The characters are never mocked, but the slightly comic elements to their experiences is suitably explored, giving a human warmth to the stories and keeping them from being purely mechanical displays of position and technique. Not that those are skimped on, either. The stories, frankly, are hot.
Manly is an 80 page hard-cover to be published in November by Bruno Gmunder. It is available for pre-order at Amazon, with a retail price of $25.99. If you're looking for good gay porn comics, this is one of the best yet. Witty stories and sexy art combined in a fantastic combination.
Since there's no new episode this weekend (in America or England), and since I'm technically out of town, let's take a look back at some of the season so far's eye-candy.
So, there's this Avengers/Invaders book coming out. And it looks like it might be okay. Kind of fun, and it's get Steve Sadowski on art.
But, lately, a certain number of funs have been getting antsy over any suggestion of males with external genitalia in comics Alex Ross is involved in... And, honestly, given the sorts of things they're complaining about, it's quite clear that they don't know what the hell they're talking about.
Luckily, the free preview of Avengers/Invaders you can pick up at your local comic book shop does feature some drawings of super-heroes with bulges that actually, you know, bulge.
Shortpacked! is one of my favorite web-comics, and creator David Willis is now taking pre-orders for a second collected volume. If you like toys, jokes about toys and jokes about the insanity of toy and comic book fans, you owe it to yourself to get the book. And read the strip.
Just when I thought we had finally put that nonsense behind us once and for all, Crotch Fear rears it's ugly head once again. Unsurprisingly, this time it's another Alex Ross cover that has led fanboys to the uncomfortable realization that men have external genitalia.
Here's the cover, so that we have an idea of what the hell they're going on about.
And here's what they had to say about it, in a thread titled "What's the deal with Alex Ross, JSA and penises?:"
Why are you looking?
Of course Ross will throw in some pantyless snatch from time-to-time, so it all evens out
Maybe he is teh ghey.
I think Alex Ross is repressing something.
That's some lovely gay-baiting, innit?
To be fair, unlike the last time this nonsense reared it's head, most people acknowledge that it's not a big deal that Alan Scott isn't a Ken doll, but there's still that element of shock that some people seem to get at the merest suggestion of a penis in a picture. I know a lot of straight men labor under this belief that their penis is the only one in the world, and that's why everyone wants it, and the suggestion that there are other ones out there sends them into an existential panic, but come on...this is what people think an erect penis looks like?
That is not an erect penis; that's an intense, soft light shining on reflective material. Ross if far from one of my favorite artists, but technically he's very good, and all he's done there is a very slight suggestion of an absolutely normal pants bulge on a man. It's nothing to be excited about.
Here, this is what an erect penis looks like: And again:
You'll notice they appear to be pointing in one direction. If Alan Scott is pointing with that tiny bulge, and comic fans think that's a big penis, then the significant others of comic fans must be very disappointed.
The producers of the upcoming Wolverine solo film have decided, in light of the negative critical and fan reaction to the third X-Men film, to high-light Hugh Jackman's musical theater abilities and the gay subtext of the X-franchise:
I love covers. I love Disney. I...am okay...with Tim Curry.
So, you know how some people keep insisting that manga is the great hope of the comics industry, because the lack of sexism and misogyny won't drive new readers away the way super-hero comics allegedly do? (And how those of us who have been reading manga for longer than the current shojo boom hear this sort of thing, and just shake our heads?) Well, I bought Ral Grad, the new manga from Death Note artist Takeshi Obata. And while it's twisted in the ways I usually like I'm not sure I'll be picking up any future volumes.
That sort of thing? All over the damn book. Hell, Ral's primary motivation to become a hero is so that he'll have ample opportunity to grope women. This was published by Viz, as part of their Shonen Jump line. So it's a kid's comics.
And I'm not calling for a ban on the comic, or hoping to prompt an outcry, or anything like that. I'd just like to take this opportunity to remind people that, you know, Japanese comics are just as bad, if not worse, than American comics when it comes to the whole sexism thing.
And on a lighter note:
So, the message for this ad seems to be: if I use their product, I'll miss out on seeing hot guys make out. Yeah, I think I'll go without Bluetooth accessories for my phone a bit longer, in that case.
One of the quirks of online fandoms is their...interesting attitude towards the truth. When a fan says something is "true" it doesn't necessarily mean what a non-fan might think it means. So, as a public service, and with pretty pictures to help make the lesson more interesting, in ascending order from "least true" to "most true" in the eyes of fans, I present:
Why, yes, they are in the right order. These are fans remember...
All Star Superman #9: Man, I never would have seen the death of Superman coming, nor his elevation to godhood. What a completely unexpected twist. Too bad there are no utterly infallible online gossip columns with 100% accuracy records to have given us clues about that... Oh, and I'm sure this will be a permanent and forever change to the Superman status quo, as well.
Batman and the Outsiders #1: Finally, Batman is being written as he was always meant to be written: as a homophobic prick.
League of Extraordinary Gentlemen: The Black Dossier: After the last two volumes, and the edgy Lost Girls, I think it was quite shocking to discover that this latest volume is a completely sincere and serious examination of the history of British children's television. I had no idea there was a secret connection between the Wombles, Balamory and Danger Mouse. Nor that it was so sinister in nature.
Amory Wars #4: Not only does this book completely justify the oft-mocked and long-neglected genre of "comics based on lyrics", but it completely justifies prog-rock as well!
Scott Pilgrim Vol. 4: Now this was an unexpected change of direction. I don't know, maybe it's me, but based on the previous volumes, I think having Scott realize the vapidity of his hipster lifestyle and become the figurehead of a mass-murdering cult...it's a bit of a darker turn than I think the series needed to go in.
Sexy Cowboy I think it's the combination of chaps and fringe that really sells this look.
Sexy Cop Oddly, not the only "shiny fake vinyl" cop costume I spotted.
Sexy Devil Yes, the Prince of Darkness wears frilly lace. It's those gay indicators that really sell the evil.
Sexy Disco Dancer It's amazing they found purple leopards...
Sexy Highlander Men in dresses=sexy, every time.
Sexy Hippie Or, I suppose this could be Sexy Ironically Postmodern College Student. It depends on whether or not he stinks of patchouli.
Sexy Convict And he's a bargain, at only eight cigarettes a night!
Sexy Knife Thrower It's not the most practical costume...I imagine wearing this involves lots of walking into doors.
Sexy Peasant Man, he can vassal my serf any day!
Sexy Pimp Hey, the racial and sexual politics of the 'pimp' costumes are great fodder for deep intellectual discussions of the issues they raise, and that turns my crank.
Sexy Victorian Serial Killer It's the frills. Gotta be.
Sexy Pirate To repeat a point that needs repeating from time to time: what, exactly, did people think cabin boys were for?
Sexy Roman See? Skirts. It works.
Sexy Vampire I think it's the casual nature of this ensemble that sells it. I mean, he's going to rip out your throat and drink your blood, but he's going to be relaxed about it...it's not a 'dressy' event.
Sexy Werewolf I'm the only one who finds werewolves sexy, aren't I?
This year's ad for the Folsom Street Fair (site probably NSFW) has generated some controversy. Well, I say it's generated controversy. Really, the only significant complaints I've found have been from the (male) spokesman of the Concerned Women of America, Matt Barber, who said of the ad "Scripture says that God is not mocked, yet it doesn't stop people from trying. As evidenced by this latest stunt, open ridicule of Christianity is unfortunately very common within much of the homosexual community. Gay' activists disingenuously call Christians 'haters' and 'homophobes' for honoring the Bible, but then lash out in this hateful manner toward the very people they accuse. In their version of The Last Supper, Christ, Who gave His life for our sins, is despicably replaced by sin itself as the object of worship." You can read a press-release about it here, but I don't recommend investigating that site too much.
Now, outrage from the hard-right Christian fundamentalist community is nothing new, and nothing to be surprised at. But what I always find interesting, and depressing, enough to find the term "interpressing" appropriate, is the number of (apparently) gay people who find offense in the ad. Andrew Sullivan doesn't like it, but Andrew Sullivan is a notorious right-wing crank and hypocrite, so fuck what he thinks, frankly. But if you look at the comments section at popular gay blog sites like Towleroad and Joe.My.God, you'll see lots of everyday-gays attacking the ad.
The basic complaints all boil down to one thing: ads like this make us look bad to "them." Ad like this alienate "them" and that hurts gay rights. You see variations of this argument all the time. Drag queens in Pride parades make us look bad to "them." We should distance ourselves from that married politician who had an affair with another man because it makes us look bad to "them." Effeminate teenage drama queens on the Internet should be scolded for making us look bad to "them." I'd like to chalk these arguments up to internalized homophobia, but more often than not they simply seem myopic to me. Because the counter-argument I'd like to propose is that it really doesn't matter what we, as the gay community, say or do in our efforts not to offend "them." Because "they" hate us. Not for what we do, but for who we are. It doesn't matter what we do, "they" are going to be offended. Things like kinky ads, drag queens, closeted politicians and effeminate teens just give "them" a convenient excuse.
Every gay person in the country could be a white, middle-class Republican, living in the suburbs, not ever dreaming of doing anything remotely kinky or "gross", up to and including actually have sex with a person of the same sex, violently insisting that no, really, we don't want equal rights, equal protection under the law or to be treated with basic human decency, and "they" would still hate us. What makes me so sure of this? Because there was a time, not so long ago, within the living memory of many gay men certainly, where the idea of a kinky leather festival was unheard of. Not just unheard of, unimaginable. When there were no such things as Pride parades, much less drag queens marching in them. When closeted politician's careers were over, and quite possibly their freedom. When effeminate teenage queens might as well just kill themselves, because they had nothing to live for. A time when the only homosexuals were "good" homosexuals, living in the closet, in fear and shame, and risking their jobs, homes and livelihoods just to go to a gay bar. Because if the police decided to raid it the night you happen to be there, well, kiss everything you have and know goodbye. And "they" hated us then. Quite possibly more so than "they" do now.
So no, ads like this don't hurt gay rights. Gay people sniping at other gay people to "behave, look presentable, and for God's sake stop acting gay" hurt gay rights. The failure of people in our community to support one another against hateful outside pressures hurts gay rights more than all the kinky leather daddies, drag queens, closeted politicians and teenage queens ever could. So you don't personally approve of any of those things. So what. Find a gay cause or group you feel you can support, and simply sigh and move on when one of those horrible, evil leather daddies or drag queens comes into view. It's far past time that gay people stop worrying about making "them" happy.
Two slight codas, one visual allusions to the Last Supper are nothing new. And they haven't elicited controversy or complaints in significance before. This, I think, really drives home the point that this outrage and controversy is manufactured, and driven more by homophobia than any sincere religious feeling.
Also, one of Matt Barber's comments bears closer scrutiny: "We further challenge the media to cover this affront to Christianity with the same vigor as recent stories about cartoon depictions of Mohammed and other items offensive to the Muslim community." Ah, so Matt, you want the Christian community to be portrayed as a bunch of small-minded, ignorant, backwards fundamentalists, who threaten people with murder if they don't get their way, all because you're not culturally sophisticated enough to understand the principles of free speech, artistic expression, and learning to live and let live? Because, I got to say, you guys are doing a bang-up job of that all on your own.
Plus, all those guys in that ad? Hot. Heck, even that woman on the left gives me a funny feeling...
Extra Note: I really hate playing the "Pete card" but in the context of this discussion I thought it worth mentioning. So, Pete, my boyfriend, of nine years? The minister in his church and director of a gospel choir? That Pete? Cool with the picture. Kind of likes it, actually. So let's cool it on both the "Christians are evil" and the "gays are irreligious" talk, shall we? Actual quote: "I think it's great they used a black Jesus."
Brewster Rockit: Space Guy, by Tim Rickard I usually try to keep my eyes open for interesting looking collections of newspaper strips I've never heard of; which isn't that hard, given the sorry state of newspaper comics pages. The satirical nature of this strip appealed to me. Given that even the mildly geeky humor of something like Foxtrot was too much for most newspapers, I was curious as to what an out and out parody of typical sci-fi adventure comics and films would be like. It's...actually pretty much what you would expect. The characters are well tread stereotypes: lunk-head captain, lazy engineer, somewhat evil scientist, annoying child sidekick. It's a minor blessing that the only regular female character in the collection turns out to be the only half-way competent member of the crew. The geek humor works in small doses, but in one big book it tends to drag on a little too long, especially in the longer storylines. So, it's a mildly entertaining diversion at best, which still puts it miles ahead of most of the other strips in the newspaper.
Booster Gold #1, by Geoff Johns, Jeff Katz and Dan Jurgens, published by DC Comics Speaking of mild diversions; the first issue of Booster Gold is darn near a textbook example of "harmless super-hero book." It's steeped in continuity, almost but not quite to the point of being about continuity, with appealing, easily defined characters. And while the book plays up a "the stakes are big" angle, it doesn't feel like a high-drama or high-angst book; it retains a light touch. The art is also the best work I've seen from Jurgens in years, bringing a suitably "heroic" look to the book.
In other comic news, Sticky writer Dale Lazarov and artist Delic Van Loond have a new adults-only web-comic called Fancy. It's a pantomime strip with beautiful line-work. The story so far could probably be called "gay barbarian fantasy" and if you're into that sort of thing you should definately check it out.
Okay, I've changed my web-host, and things seem to be working much better on my end. A few links and images may still be broken, and you may need to re-subscribe if you read this via a feed.
To make up for that, here's an ad for a Mormon beefcake calender:
And, once again, a niche gay porn genre goes mainstream...
Also of note, in the preview for the new DC solicitations, was this little...gem? COUNTDOWN PRESENTS: LORD HAVOK AND THE EXTREMISTS #1 Written by Frank Tieri Art and cover by Liam Sharpe Don’t miss this special 6-part COUNTDOWN miniseries featuring the most powerful beings on Earth-8 — Lord Havok and his Extremists — written by Frank Tieri (GOTHAM UNDERGROUND) and illustrated by Liam Sharp (TESTAMENT)! Lord Havok! Dr. Diehard! Tracer! Gorgon! Dreamslayer! Carny! Meet these dangerous individuals and learn why they are so integral to COUNTDOWN and the fate of the Multiverse! Guest-starring Monarch, the Monitors, Donna Troy, Jason Todd and Kyle Rayner! On sale October 31 • 1 of 6 • 32 pg, FC, $2.99 US
Okay, an Extremists mini-series? I blame all of you with paranoid fantasies about Dan Didio trying to "destroy" the Giffen-era Justice League for this. This is DC's answer to your complaints, you realize.
So, it's a typical day at Station Whiz, with Billy and his boss sitting around watching television instead of, you know, working...
"So, instead of reporting facts, I'll just be reporting any nonsense I make up? So it'll be like that summer I worked for Fox News?" "Exactly Billy!"
What follows is a montage of Captain Marvel staying in various haunted locales in search of inspiration for his stories. So it's kind of like one of those "Ghost Hunters" type shows, only without easily spooked idiots running around in the dark.
Well, Billy is a total disaster as a writer of ghost stories, so eventually Station Whiz has no choice but to, er, try to retain the good employee they made no attempt to keep in the first place...
So the station manager and Captain Marvel show up at I.J. Scarum's house, and force the butler to allow them to spend the night so that they can meet up with Mr. Scarum and persuade him to come back to work. Because intimidation, assault and trespassing aren't crimes if you're a big shot radio television station owner, apparently. Ah, but do the fates have a cruel twist in store for our heroes?
What follows is the most anti-climatic villain reveal ever:
Did Captain Marvel just resolve a conflict by bribing a ghost? Man, I love comics...
As you know, I really hate the "torture porn" genre of horror. I think, in the long run, it's bad for the genre for those types of films to dominate, and I really don't like what their financial and popular success says about American tastes. And then I found this interview with the marketing co-president for the studio that releases the Hostel movies:
The next image in the campaign was from a photo session Palen did with film costar Bijou Phillips. It shows Phillips nude, holding her own severed head in her hand. Knowing the image was too graphic to ever be shown in a theater or in a newspaper ad, Palen gave the poster to international Internet sites, which are not subject to MPAA guidelines, and Comic-Con festivals. ...
Palen defends his work in two ways: in terms of context and execution. The poster of a naked Phillips holding her severed head in her hands, he says, "is completely inappropriate to be on a billboard on the street or even in the lobby of our offices." But he says it is suitable for theaters in foreign markets — where people are far less concerned about sexual images — and for hard-core horror fans.
"It's for the boys in the backpacks at these comic conventions, waiting in line for hours to get the posters signed," says Palen.
And that's what the legacy of sexism and misogyny in the comics industry has wrought: film studios thinking it's okay to market sexually violent images because they'll appeal to comic fans.
Sigh... I really feel like I should be insulted by Palen's characterization, but I have a hard time arguing against the point he's making, based on the on-line and real life conversations I've seen comic fans have.
Dear lord, there's a lot of stuff coming out this week. After two relatively light weeks, we would get a big week right when all my bills are due. I think I'll probably end up getting The Black Diamond Detective Agency...eventually. That it comes out the same week as MPD Psycho and Young Bottoms in Love is too bad, as I don't feel the same urgency to purchase or read it as I do those two books. I feel like I should feel secretly ashamed that I plan on buying New Warriors, not only because it's got "cancellation-bait" written all over it, but because it's got that "we'll inflate sales by using the book as a bridge between the last cross-over and the next cross-over" vibe on it as well.
The things you learn from old comics:
The "master of evil" wears pixie boots and European swim trunks. Huh.
You know what we all need more of? Random, gratuitous beefcake: There, that's better.
Supernatural: Origins #1, by , Peter Johnson and Matthew Dow Smith, with Geoff Johns and Phil Hester, published by DC/Wildstorm
I'm honestly not sure whether coming to this book without ever having seen even a single episode of the television series it serves as prequel to helped or hindered my response to the book. As a stand-alone concept, it worked fairly well. But there was a certain sense of "sketchiness" about many of the characters and the central premise, that left me feeling throughout the book that I was missing certain fairly significant details and elements of back-story. There are moments that feel very much like foreshadowing that will only pay off in the television show, or bits of exposition that explain gaps in an episode. So, while it was a well put together story and entertaining in its own right, I felt like I wasn't familiar enough with the background to get as much out of it as I was meant to. Smith's art, however, was exceptionally good, and reminded me a little bit of a mix of Duncan Fegredo and Mike Mignola. It's heavily shadowed and moody, which fits the tone of the book very well, and the stylized look to his art was quite striking.
Matt at No-Sword had a couple of brilliant posts up about post-war Japanese family planning guides. Here's part one and here's part two. It's really interesting stuff from an historical and sociological perspective, and as a comic reader it helps explain the "sister complex" I see so often in manga and anime.
Oh, and in reference to the current Man of the Moment, Topher Grace...I selected him because he was pretty much the only thing even remotely tolerable about the latest Spider-Man movie. How bad was it? Even Pete thought it was bad. I think the only other super-hero movie Pete didn't like was the third X-Men film. That's how bad it was.
A little bit of Subtext? What Subtext? for you, that I probably should have saved for Friday Night:
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, a new collection of word-less short stories with collaborator Amy Colburn on art.
The challenge with word-less comics, primarily, is that the art must be especially expressive, to convey both emotion and plot clearly. Colburn's art is very expressive, with clear, nicely laid out pages that allow the story to flow smoothly. I'm particularly taken with her faces. She is very deft at portraying, in particular, lust and embarrassment in a way that makes the characters very relatable and recognizable. It's also very appealing that the character and body types are extremely varied throughout the work. This is typically my number one complaint about gay porn comics; that everyone looks the same. That is certainly not the case here, with a physically and ethnically diverse cast that seems certain to include at least one character that appeals to a reader with a specific "type" to look for in their porn comics. 
