And here we are, the masterwork of the modern werewolf film. It’s been written about extensively everywhere, including here in the past, so I’m no sure what more there is to say.
I will anyway, of course.

A big part of why the film works is the focus on the protagonist’s mental state. The film opens with long scenes of empty roads and moors, with only David and his friend Jack’s conversation breaking up that monotony. We’re given reasons to like these kids right away; they’re good natured, if a bit full of themselves, but more importantly they’re likeable. After the attack, the bulk of the film’s shocks and scares are confined almost exclusively to David’s nightmares. It’s not until relatively late in the film that the audience is given any definitive proof that the supernatural is really at play and it’s not all just inside David’s mind. This works because, since we already like David, we sympathize and relate to his suspicion that he’s going crazy. Given the dictates of the genre, of course, we know on an intellectual level that he really is a werewolf, but on a craft level it helps keeps the focus on David as a relatable protagonist.

Which isn’t to say that the film is without flaws. The whole notion of David being haunted by the ghosts of his friend and the people he has killed, while a solution to the necessary exposition dumps, never quite comes off. It feels more like a shoe-horned excuse to bring some more gore into the film, especially when there’s a whole village full of people who know all about werewolves and what really happened to David right there from the beginning of the film…and David’s doctor actually goes there to investigate the original attack.

But apart from that, it is a superlative film. And the sequence where David stalks a hapless commuter in a subway station is easily one of the best horror film scenes ever.

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3 Responses to “Spooky Month Review: An American Werewolf in London”
  1. Scott says:

    YES.

    One of my favorite movies ever. Back in college, I wrote a couple of term papers about this movie and generally made my professors make poorly thought-out wolf puns while giving me A’s. :)

  2. Poormojo says:

    This probably marks me as an idiot, but it took ten watchings of this film until I realized that every song on the soundtrack has “moon” in the title.

    I fucking love this movie.

  3. Thom says:

    Honestly, I enjoyed the aspect of his being haunted by his victims, it’s rare you get to know the monster’s victims after they die. :)

  4.