Ragnell examines a trend in recent comics conversations online, in which fan entitlement concerns are dressed up as outrage over imagined sexism to give those arguments undeserved weight. This is a trend I’ve been sensing coming on for awhile now, and it does no one any good as it obfuscates genuine issues of concern and gives the pro-misogyny crowd ammunition to dismiss legitimate critiques by associating them with illegitimate ones.
On a related note, I can’t stress enough how much I disagree with Johanna’s fundamental position, that super-hero comics “aren’t for girls.” It’s an overly reductive, near-essentialist attitude towards gender and genre that I’m really disappointed to see coming from such an intelligent and articulate commentator. It’s not the genre itself that is sexist, it’s the way the genre is marketed. There is nothing specifically masculine about Manichean morality plays in tights. I’m further troubled, because the “super-heroes aren’t for girls” argument is the flip-side of those stupid “get your girlfriend to read comics” articles that pop up in the nerd-press from time to time which always recommend Strangers in Paradise and Sandman for women comic readers, as if there is some sort of female hive-mind enforcing uniformity of taste. It assumes that women “naturally” don’t want to read about super-heroes, and that those who do are outside of normative parameters.
Kevin makes some very good arguments about accessibility in contemporary super-hero comics, and I essentially agree with him. Where we differ, I think, is that I’m not as concerned with accessibility in comics that are quite clearly designed to appeal primarily to existing fans with an extensive knowledge of comics continuity as I would be in work that is meant for a wider audience or has the potential to appeal to a wider audience. I’m okay with tailoring work for the “continuity porn” crowd to that crowd, in other words.
Chris talks about Dark Horse, and their inability to make material that they’re advertising, material aimed at a very narrow market, available to their primary consumers; retailers. So, it’s business as usual for Dark Horse, really.
Here’s your fun link: I’ve finally figured out why the character designs in the new Transformers movie bother me. All the robots look almost exactly the same. Apart from variations in color, I’m hard-pressed to tell them apart.
The fact that they all look like they’ve got metal dildos glued on to them doesn’t help much either.